Maxhium Youwei Cheng 程宥玮
The Remainder, 2020, Video installation
The Remainder is an imagery to map artist's hometown memories through his and family’s shared lens, rejuvenating relational space in-between somatic actions. A synopsis from dreams to memory rearrangement. Sustaining to interrogate how locality is intersected and poised in a transpersonal pandemic context as to how vitality migrates in space. Namely, his affective state of events within the tacit geo-identity, building the relationship based on distant intimacy/intimate distance.
残余物 Remainder, 2020, 影像装置 (尺寸可变)
残余物是从自身和家人对家乡回忆溯源并解读的意象，重塑在躯体间的相对空间。并基于梦整理记 忆。 在超个人的疫情语境中审视地缘性和根源性如何产生动势，相交，从而令生命力迁徙。即艺术 家默示的地缘身份中感性的事件，暧昧(模糊)式关系的间离感。
Artist Background:
B.1999, Kunming, China. London & Beijing based artist. Currently studying at Chelsea College of Arts, UAL. The mediums of practitioner’s works include poetry, moving image, painting, performance, photography and installation.
Mahxium’s practice and research stem from the transpersonal semantics of distant intimacy, geo- identity, and experience in itself. His works facilitate the contingency on his primary focus on energy dynamics. This framework anticipates him actualizing the phenomenon of transposing individual perception to a shared experience.
艺术家简介
生于1999年云南省昆明市，就读于切尔⻄艺术学院将于2021年毕业，现创作生活于伦敦及北京。创 作媒介扩及诗歌，影像，行为，装置，绘画以及摄影。
程宥玮的实践及研究方向根植于超个人语义中的暧昧(模糊)式关系的间离，地缘身份，和内在经 验。作品表述的摇摆性在于他时常关注的动态势能。他的语言架构于实在化转置个体感知至群体共 通体验的现象。